Today’s film, shot by US Army Air Forces photographers, presents no mysteries. Instead the reel is a gift that keeps on giving. Shot during President Roosevelt’s allied conference in early 1943, the film touches many bases. It opens with a segment of FDR meeting with Free French commander General Phillipe LeClerc and continues with a session showing FDR conferring with British Prime Minister Winston Churchill (good closeups!) The roll concludes with an early sound film of Roosevelt conferring the Congressional Medal of Honor on Col. William Wilbur as Generals George Marshall and George Patton look on. The sound segment continues with interviews of African American service members.
This film is barely described in the National Archives’ Catalog by the title “PRESIDENT ROOSEVELT & [AND] CHURCHILL AT CASABLANCA”. No digital surrogate is available on the Catalog. This copy was made by pointing a digital camera toward a vintage film work print on the flatbed film viewers provided in the National Archives’ Moving Image and Sound Research Room. As the work product of US government photographers, the film is uncopyrighted and available for use.
Content like this is usually ONLY screenable in the National Archives Research Rooms. Professional archival researchers can unlock unique content like this for your presentation, publication or production.
Today’s film presents a mystery. The given title of this Army Air Forces (“AAF”) film found at the National Archives and Records Administration (“NARA”) is simply “Camp Activities”. This is the first of four rolls showing the construction and early operation of an Advanced Landing Ground airstrip in Normandy about 10 days after D-Day, making this one of the earliest Allied airfields in liberated France.
The description provided by the AAF provides no location and the only clue is a brief shot of a local church or abbey at 1:25. It looks like the back half of the church tower is missing.
The strip was apparently planted in a farmer’s field. The camp for Army personnel looks like it was setup next to one of Normandy’s numerous canals, but apparently the soldiers and airmen also setup in nearby wrecked gliders, suggesting this was a glider landing ground on D-Day. The film includes numerous shots of WWII aircraft: P-47 fighters, Spitfires, C-47’s, Horsa gliders, and CG-4A gliders in action (and also as wrecks on the ground).
My suspicion is that this was the Carentan Army Airfield (Advanced Landing Ground A-10), which is today the site of the Normandy Victory Museum. These airfields provided life-saving landing alternatives for aircraft and crews in trouble. They were often used to evacuate casualties as well. I’m hopeful that Norman locals can chime in here to help conclusively identify the site!
UPDATE!
Many thanks to my good friend and colleague Tom Hogan who identifed the church as Saint-Côme-du-Mont near Carentan. Further information received from a Normand suggests this is landing strip A-6, aka Beuzeville/Ste. Mère Eglise airstrip, since it was closer to the glider landing ground that figures so prominently in this film.
Context is critical to gain the full impact of archival film for your production. An experienced archival media researcher can leverage the full power of archives for you!
This short film was produced by the German-American Bund in the 1930’s as a promotional tool. It was later seized by the Department of Justice as part of an investigation of Fritz Kuhn, the Bund’s leader, on charges of being an unregistered agent of a hostile foreign government. The iconography of the Nazi swastika side-by-side with the flag of the United States underscores the fact that political extremism is an existential threat to a pluralistic, democratic society. Sadly, today the elected government of the United States is taking radical steps that remind us that eternal vigilance is the price of freedom. As John Stuart Mill said “Bad men need nothing more to compass their ends, than that good men should look on and do nothing.”
This is one brief story of among millions waiting to be told by using content available at the National Archives. An experienced professional researcher can leverage archival media to help bring your story alive.
This “found footage” from the National Archives and Records Administration (NARA) begins with casualties returning to England from the Normandy invasion. The last minute or two shows naval vessels shelling Omaha Beach. The high cliffs in the final shots are unmistakable as Pointe du Hoc, the highest point along the invasion beaches, the site of captured French 155mm artillery, and a target for the 2nd U.S. Army Ranger Battalion. Shot at eye-level, one can’t really make out the “point”, except for some shallow rocks. If you look carefully, in the last thirty seconds you can just make out the figures of troops at the foot of a scree slope before a tall cliff, without a lot of additional supplies, equipment and reinforcements. The tide is in as well, which builds a strong case that this is later in the morning of June 6th, so this could be the only moving image footage of the Rangers’ assault on the Axis position at Pointe du Hoc. Many thanks to sharp-eyed fellow researcher Thomas Hogan for identifying this film!
The included slates identify this as footage from Coast Guard, U.S. Navy and OSS cinematographers despite the reel being found in the holdings of the U.S. Army Signal Corps. OSS footage of the invasion is usually found in Record Group 428, the records of the Navy Photographic Center.
This footage is described in the NARA Catalog, but without identifying the location, so ordinarily, this footage would be overlooked. A knowledgeable researcher will recognize what they see. Choose a professional media researcher for your next production or publication! Researchers add value!
UPDATE:
Thanks to an upgraded 4K transfer from the archival film, I was able to locate the scene of the first section of the film, showing the incoming casualties returning to Britain as Weymouth Harbor, by identifying the business sign for “Cosen and Co Ltd”. Photographic Specialist Clarence “Sam” Moran was the photographer. He was 42 at the time of the invasion.
The photographer for the second segment was Lt. Cmdr. Allen G. Siegler, born in 1892 and was old enough to have registered for the draft in World War I. He had established a career as a cinematographer in Southern California beginning in 1914 and was an member of the American Society of Cinematographers. He would have been 52 years old at the time this film was taken. Both men were early volunteers for the Naval Reserve film unit founded by John Ford, which became the basis for the Field Photographic Branch of the Office of Strategic Services (OSS) the wartime predecessor of the Central Intelligence Agency.
Further research details that Lt. Cmdr. Siegler was detailed to the destroyer USS Satterlee (DD-626) during the invasion. The Satterlee is known to have the naval gunfire support mission for the Army Rangers assault on Pointe du Hoc. This help builds a strong circumstantial case that this was shot during the Rangers’ mission. Thanks to the extended resolution offered by a 4K transfer, we can clearly see details we only speculated on before. Landing craft pass from left to right in front of the camera, together with a Landing Craft Control ship. At about 9:19 you can clearly see figures moving at the base of a notch in a cliff face. This was all shot from quite a distance, on a moving ship, which makes the camera tracking ability in those final frames impressive!
Film producers may be familiar with the National Archives and Records Administration (“NARA”) as a source of “uncopyrightable” moving images created by the United States Government, but did you know that a substantial body of copyrighted film content also exists in its holdings? Material can be collected by Federal Agencies or donated by production companies (in this case the Fox Movietone collection), individuals, and even former Presidents (most of the content in NARA’s Presidential LIbrary system prior to 1981 was donated!).
Thanks to changes in the Copyright Law in the US in 1977 and 1978, all films created in 1928, including this newsreel item, an early talkie from 1928, fell into the Public Domain on January 1st of this year. It features the first filmed interview of famed playwright and author George Bernard Shaw. You can hear his approaching footsteps and hints of birdsong from the country setting. His meandering interview touches on many topics, even, amusingly, his impression of Italian dictator Benito Mussolini! The audio recording for film was still very new and Fox Movietone was in its first year of operation, so they were charmingly still figuring out how to use this new technology. This particular film was recorded off a flatbed film viewer in NARA’s research room in College Park, Maryland.
Older content finds its way onto the web with regularity, but less than 10% of the moving image content in the National Archives’ collections is available digitally on-line. Professional researchers have the ability to locate content that is only available on-site in many institutions nation-wide. Contact an archival media researcher today to add special value to your production or publication!
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